In Kirkuk, a new story about women in politics has captured attention ahead of Iraq’s parliamentary elections. Shayma Sami, a candidate from Mohammed al-Halbousi’s Taqadum Party, is running for office. However, her campaign posters show the picture of her husband, Sheikh Ahmed Ibrahim, instead of her own. This unusual move reflects deep-rooted tribal traditions that continue to shape women in politics in Iraq.
Ahmed Ibrahim, who manages his wife’s campaign, explained that the decision was made to respect community customs. “We come from a tribal background,” he said. “It’s not about showing a picture. It’s about reputation, family, and loyalty.” According to him, the posters display her name and number, which are enough for voters who already know her and her tribe.
Sami’s husband and relatives are also leading her campaign events and meeting supporters on her behalf. They also emphasize that her goal is to serve the people of Kirkuk through honest representation and community-driven work. Ibrahim stated that his wife’s mission is to strengthen unity and bring development to the province.
Many in Kirkuk are intrigued by this campaign style, though others question whether such practices truly help women in politics. Some argue that public figures must be visible and directly engage with citizens. “If a candidate represents the people, they should be able to speak and stand for them,” said Srud Mohammed, head of the Iraqi Hope Organization. He warned that hiding a candidate’s identity could weaken public trust and female participation in governance.
Still, others see this approach as a compromise between modern politics and conservative traditions. Sami comes from the respected Batushi tribe in southern Kirkuk, and her family’s support plays a major role in her candidacy. Her husband, a local contractor, insists that their tribe’s backing extends beyond one region and includes supporters across the province.
While Iraq prepares for its legislative elections on November 11, the case of Shayma Sami raises broader questions about gender, representation, and social norms. The story highlights the complex reality facing women in politics in Iraq — where tradition often intersects with ambition, and progress must find its place within cultural boundaries.
